At some point during my various efforts to discuss various films (specifically, but this might also apply to other subject matter), I realised that the material fell into a couple of distinct categories.
If I was to make the same kind of over-inflated, indulgent, and bombastic remark about Calderone’s Return, Part II, that Francis Ford Coppola made about Apocalypse Now, it would be: ‘this show isn’t about the 1980s — it is the 1980s.’
